The rising tide of Charm-bracelet art? Jeff Koons’s Puppy versus Serra’s Tilted Arc


In order to be acceptable to the public at large, do large artworks intended for public space have to meet some basic criteria?  I stumbled across an interesting old 2009 article online that discussed public reactions to several large artworks that have been staged outdoors in NYC during the last several decades.

http://www.flavorwire.com/54578/clearing-the-air-about-public-art

One NYC art critic thought that all public artworks should be “crowd-pleasing”, which seems to favor those works that are cute and representational, rather that abstract.  Low art versus high(brow) art?  IMO this is a problem.  Good art is not decoration — it should challenge viewers to think, or at least to stop and ponder a bit.  IMO the recent trend towards large oversized animals as cutsie sculpture (Koons’s Puppy, Louise Bourgeois’s giant spiders, or even Roxy Paine’s metal trees) is almost as bad as clogging up outdoor parks with sculptures of dead soldiers on horseback.  These romantic charm-bracelet artworks like Koons’s Puppy take up valuable space and public funds that could and should be going to develop more challenging artworks, that — like the Eiffel Tower — will not necessarily be greeted with open arms by the public when they are first introduced.

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2 responses to “The rising tide of Charm-bracelet art? Jeff Koons’s Puppy versus Serra’s Tilted Arc

  1. I love that phrase..charm bracelet art…. I’m loving your blog, so glad you found me so I could find you.Cheers Sue

  2. Reblogged this on Artinpublicplaces's Blog and commented:

    Please don’t walk on the sculptures…

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